Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II is a feature length documentary uncovering the history and the making of Clive Barker’s Hellraiser and Hellbound: Hellraiser II films.

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

Filmmakers James Franco and Travis Mathews re-imagine the lost 40 minutes from “Cruising” as a starting point to a broader exploration of sexual and creative freedom.

A psycho-geographic journey through London and its history, as undertaken by an unseen narrator and his companion, Robinson, at the time of the 1992 general election.

A look at the careers of Gualtiero Jacopetti and Franco Prosperi who invented the mondo genre with MONDO CANE in 1962. It follows their career until their split in following…

A behind-the-scenes look at the beloved public television personality’s journey from humble beginnings to an American pop-culture icon. “The Happy Painter” reveals the public and private sides of Bob Ross…

In a television interview filmed in 1995, Steve Jobs talks frankly about his early life, competition with Microsoft and his vision for the future, while he was running NeXT, the…

“Rising from Ashes” is a feature length documentary about the first Rwandan National Cycling Team and their six year journey to the Olympic games in London. It’s not about the…

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely…

The Waiting Room is a character-driven documentary film that uses extraordinary access to go behind the doors of an American public hospital struggling to care for a community of largely…

American soldiers of the 2/3 Field Artillery, a group known as the “Gunners,” tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure…

The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic…